Male privilege & a basket of tampons

gallagherwitt:

Years ago, a friend went to a party, and something bothered him enough to rant to me about it later. And it bothered me that he was so incensed about it, but I couldn’t put my finger on why. It seemed so petty for him to be upset, and even more so for me to be annoyed with him.

Recently, something reminded me of that scenario, and it made more sense. I’ll explain.

The party was a house party. One of those parties people throw if they’re renting a good-sized house in college. You know the type—loud music, Solo cups of beer, and somebody doing something drunk and stupid before the end of the night.

At some point, my friend had occasion to use the bathroom. When he went into the bathroom, he was disgusted to see that the hostess had left a basket of feminine hygiene products on the counter for guests to use if needed.

Later, when my friend told me about it, he wrinkled his nose and said, “Why would she do that? Guys don’t want to see that!”

When I suggested that she was just making them available in case a woman needed them, he insisted that they could be left in the cabinet or under the counter. Out of sight, anyway.

I wish I’d had, at the time, the ability to articulate what I can now.

To me, this situation is, while relatively benign, a perfect example of male privilege.

A man walks into the bathroom and sees a reminder that women have periods. And he’s disgusted. He wants that evidence hidden away because it offends his senses. How dare the hostess so blatantly present tampons and pads where a man might see them? There’s no reason for that!

A woman walks into the bathroom and sees that the hostess is being extra considerate. She gets it. She knows what it’s like to have a period start unexpectedly. The feeling of horror because she’s probably wearing something she doesn’t want ruined—it is a party after all. The sick embarrassment because someone might notice, especially if she’s wearing light-colored clothes, or worse, sat on the hostess’s white couch. The self-conscious, semi-nauseated feeling of trying to get through a social event after you’ve exhausted every avenue to get your hands on an emergency pad or tampon, and you’re just hoping to God that if you tie your jacket around your waist—you brought one, right?—keep your back to a wall, clench your buttcheeks, squeeze your thighs tightly together, and don’t…move…at…all—you might get through the evening, bow out gracefully, and find an all-night convenience store with a public restroom.

Or maybe she came to the party during her period, but didn’t bargain for her flow to suddenly get that heavy. Or she desperately needs a tampon, but her purse is in a room where a couple is not to be disturbed. Maybe she doesn’t know the hostess well enough to ask if she can use one. Or she doesn’t know anyone at the party well enough to ask. Or she figures she can make do with some wadded up toilet paper or something.

Whatever the case, she walks into the bathroom, and she hears the hostess saying “Hey, I know what it’s like, and just in case, I’ve got your back.”  She sees someone saving her from what could be a minor annoyance or a major embarrassment.

The hostess gets it. The woman who just walked into the bathroom? She’s either going to see that the person throwing the party is super considerate, or she’s going to be whispering thanks to Jesus, Krishna, and whoever else is listening because that is a basket full of social saviors.

But to the guy who wrinkled his nose, it’s still offensive that those terrible little things are on the counter, reminding his delicate sensibilities that the playground part of a woman is occasionally unavailable due to a gross bodily function that he should never have to think about.

In the grand scheme of things, it’s a tiny thing. It’s a tiny annoyance for the man, and a more significant but relatively tiny courtesy for the woman. After all these years, my friend has probably forgotten, but I never have.  As a woman whose life is partially governed by a fickle uterus that can ruin an evening faster than a submerged iPhone, his story has stuck with me.

How can you be so offended by a small gesture that has zero effect on you, but could make such an enormous difference to the person who needs it?

It occurs to me now that this is a small but effective illustration of how men and women see the world. It’s part of the same thought process that measures a woman’s value through her bra size and her willingness to have sex with him—that everything about us is displayed or hidden based on how men perceive them or what he wants to get from us. Unattractive women should be as covered as possible, while attractive ones shouldn’t be hiding their assets from male eyes (or hands, or anything else he wishes to use).

A woman who isn’t smiling is an affront to him because it detracts from her prettiness, despite the fact that there might be a legitimate reason for her not to smile (or more to the point, that there isn’t a legitimate reason for her to smile). Her emotional state is irrelevant because she’s not being pretty. It’s the line of thinking where a man blames anything other than cheerful sexual consent on the woman being a bitch, being a lesbian, or—naturally—being on her period. Everything we do, from our facial expressions to our use of hygiene products, are filtered the lens of “how it looks to a man.”

It’s the line of thinking where a small gesture from one woman to another, an assurance that someone else understands and will help her without question or judgment, a gesture which could save a woman’s evening from being ruined, is trumped by a man’s desire to see an untainted landscape of pretty, smiling women with visible cleavage and vaginas that never bleed.

And people wonder why we still need feminism.

bookriot:

catagator:

catagator:

Angry about the removal of Some Girls Are from the West Ashley High School reading list (as an OPTION on that list)? 

Let’s get that book into the hands of all the teenagers there who want it. Who may desperately need it. 

I’m working with the local library to coordinate a huge donation, and if you can spring for a copy or two – it’s extremely cheap on Book Outlet – you would make a huge difference to these teens. If you can’t donate personally, please share the link with anyone who may be able to do so through August 17. 

All the details. 

One last push for donations! We’ve already acquired almost 650 copies to go down to West Ashley. Let’s get that to 1,000. 

Our associate editor is running this book drive – if you want to help, she’d love the donations.

(via bookriot)

bookriot:

If you’re looking for a way to respond in the wake of the Charleston shooting news, consider making a donation directly to the Emanuel African Methodist Episcopal Church

Our thoughts are with you, Charleston and everyone impacted by this crime.

theparisreview:
““I’ve always felt that if a thing had been said in the best way, how can you say it better? If I wanted to say something and somebody had said it ideally, then I’d take it but give the person credit for it. That’s all there is to it....

theparisreview:

“I’ve always felt that if a thing had been said in the best way, how can you say it better? If I wanted to say something and somebody had said it ideally, then I’d take it but give the person credit for it. That’s all there is to it. If you are charmed by an author, I think it’s a very strange and invalid imagination that doesn’t long to share it. Somebody else should read it, don’t you think?” —Marianne Moore

uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp... uispeccoll:
“libralthinking:
“uwmspeccoll:
“Book/Not Book
This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp...

uispeccoll:

libralthinking:

uwmspeccoll:

Book/Not Book

This week we showcase a new acquisition: Peter and Donna Thomas‘s presentation of Naomi Shihab Nye‘s poem Sometimes I Pretend, produced with rainbow-roll printed wood type and paper-pulp printed images on handmade paper in an edition of 35 copies signed by the artists. The work is presented as a double-sided scroll housed in a spring-loaded, retractable scroll box, with an unsharpened, No.2 Ticonderoga Beginners pencil as a dowel.

If you’re like some of my students, you might find it difficult to accept a scroll as a legitimate book. It is, after all, just a single sheet of paper rolled up into a box. So, there’s the question: is this work really a book, or just a scroll-work, a double-sided poetry broadside, or clever piece of kinetic literature?

Book/Not Book? Please reblog with your response.

We have this one!  Love it :)

Nice GIF work! Kudos!

(via uispeccoll)

boudoirepoque:

Two girls reading in bed, 1949 by Jack Birns

© Time Inc.

(via womenreading)

“If truth is beauty, how come no one has their hair done in the library?”

Lily Tomlin
(via philaathenaeum)

Because the won’t freaking let me?

labrys2:

theniftyfifties:

1950s advertisement for trash cans.  

me sitting with my friends

Possibly the greatest short story prompt of all time?

(via everyinterestingthing)

libraryjournal:

Published on this day in 1940: Carson McCuller’s debut novel, The Heart is a Lonely Hunter. Hard to believe that this masterpiece is 75 years old.

(via libraryjournal)

The only reasonable position, IMO. The only reasonable position, IMO. The only reasonable position, IMO.